

François Mascarello
Wild Silk, 23.11
Raw silk cut and handsewn with invisible stitches on white linen
H 82.625 x L 19.75 x W 1.12 in
H 210 x L 50 x W 3 cm
H 210 x L 50 x W 3 cm
Series: 2023
A painter, sculptor, designer, and a craftsman, François Mascarello experiments with materials and artistic techniques in order to translate into space both the potency and the fragility of manual gestures....
A painter, sculptor, designer, and a craftsman, François Mascarello experiments with materials and artistic techniques in order to translate into space both the potency and the fragility of manual gestures. Thanks to his extensive knowledge of material constraints, he brings to life the emotion essential to any art.
Each of his tapestry paintings is made in three stages. First Mascarello composes an abstract landscape on a computer, before painting it in oil on paper. This work is then converted into fabric. The thin strips of raw silk are cut, then sewn one by one by hand on silk or on white linen, using invisible stitches. The shimmering fabric thus reinterprets the painter's gesture and gives it a new dimension, at once warm, intriguing and tactile.
In François Mascarello’s words: “My painting already tended towards the abstract and quasi- choreographic movement. Today, I have added an architectural impulse, the idea being to explore all possible dimensions: from the smallest to the largest, from the deepest to the brightest, from the most elusive perspective to the most intimate line.”
Each of his tapestry paintings is made in three stages. First Mascarello composes an abstract landscape on a computer, before painting it in oil on paper. This work is then converted into fabric. The thin strips of raw silk are cut, then sewn one by one by hand on silk or on white linen, using invisible stitches. The shimmering fabric thus reinterprets the painter's gesture and gives it a new dimension, at once warm, intriguing and tactile.
In François Mascarello’s words: “My painting already tended towards the abstract and quasi- choreographic movement. Today, I have added an architectural impulse, the idea being to explore all possible dimensions: from the smallest to the largest, from the deepest to the brightest, from the most elusive perspective to the most intimate line.”