Ayala Serfaty

Glass, felt, and bronze — three materials chosen for their timeless qualities — serve as the vectors of a personal investigation that revives the energies of ancestral traditions through innovative and unexpected approaches. Her practice, resolutely unconventional, gives form and substance to the breath of life, while uniting vision and function.

 

Internationally renowned, her luminous sculptures ‘Soma’ — “the human body” in Greek — combine intricate hand-woven glasswork with a captivating immateriality. Each piece is made from thin glass rods shaped by flame, fused together to form a delicate glass lace. This lace is then enveloped in a fine polymer veil that diffuses the light. The glass veins, still visible beneath the translucent polymer skin, embody both the strength and fragility of the human condition.

 

Evoking clouds, corals, foliage, or snow crystals, these luminous sculptures — as well as her recent ‘Janus’ bronze tables — are based on cellular structures that grow by proliferation, echoing the dynamics of living systems. Transfigured into a refined, openwork pattern, the glass and bronze express the essence of the invisible and the spiritual. The biomorphic becomes intangible; the medium remains a mystery.

 

Her work with felt follows the same intimate connection to nature and time. As the first textile ever crafted by humans from wool and silk fibers, felt requires no machinery. Ayala Serfaty reinterprets this primal material, composing — like a painter with a palette — custom colors and textures for each seat. The result is an organic pattern, always unique, that transcends categories: rocky terrain, tree bark, animal skin, or bird plumage. This body of work, titled ‘Rapa’ — “the healer” in Hebrew — echoes the notion of protection dear to Joseph Beuys, who claimed that felt had saved and healed him during World War II.

 

Ayala Serfaty was born in Tel Aviv in 1962. She holds a degree in Fine Arts from the Bezalel Academy of Art and Design in Jerusalem and from Middlesex Polytechnic in London. Her work has been exhibited in numerous museums, including the Design Museum in London, the Cooper Hewitt Museum in New York, and the Centre Pompidou in Paris.

 

Her pieces are part of the permanent collections of the Musée des Arts Décoratifs in Paris, as well as many institutions in the United States: the Metropolitan Museum of Art (New York), the Museum of Arts and Design (New York), the Museum of Fine Arts (Boston), the Museum of Fine Arts (Houston), the Mint Museum (Charlotte), the Corning Museum of Glass, and the Indianapolis Museum of Art.